minervacat: (what to do on the way down)
A few notes before you read: Charna Halpern is a real person; she owns Improv Olympic (iO) theater in Chicago. Like Charna, every name in this story that doesn't belong to a Sorkin character (save for Tom's roommate, who is mine entirely) belongs to a real person working in the Chicago or Los Angeles improv comedy scene, or to a real theater, or to a real improv team; I've shamelessly co-opted their careers for my own purposes. If you're curious about any of the ins and outs of the comedy scene, check out my "making the funny" tag on delicious, or feel free to ask.

The only thing you really need to know to read this story is the principle of "yes, and": it's one of the first guiding principles of improv and sketch comedy, the idea that when your scene partner starts to build a scene or a sketch, your first reaction should be to support them -- to say yes, and --. And now: fic.

Title: What To Do On The Way Down
Fandom: Studio 60 on the Sunset Strip
Pairing: Harriet gen
Rating: R for language and reference to boozing and drugs
Spoilers: Through 1x03, "The Focus Group"
Disclaimer: Sorkin and Schlamme own 'em. No profit, just fun. This is all fiction: I made it up.
Summary: No comedian you admire has ever been afraid of silence. 2800 words.

The week after Matt and Danny come back to the show, a reporter asks Harriet if there's anyone working in comedy today that she hates. )

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